Welcome

You're in. This is the course that will take you from "I can sing" to fully booked.

Congratulations on starting Gig Ready - a 12-week, hands-on journey to becoming a working, paid performer that venues actually rebook.

★ Why This Course Exists

Talent gets you noticed. Professionalism gets you rebooked. Most musicians never get taught the business side of gigging - how to price a set, build a repertoire that actually works in a room, talk to a crowd, set up a PA without feedback squeal, or send an invoice that gets paid on time. That's exactly what these 12 weeks cover, step by step, so you walk out with real skills, real materials, and a real plan - not just a certificate.

★ What You'll Walk Away With

  • A professional 45-minute (and longer) repertoire across multiple genres and moods
  • Set lists built to create atmosphere, not just fill time
  • Your own pricing structure for cafés, weddings, corporate and festival gigs
  • Real performance and stage presence skills, rehearsed and camera-tested
  • A press kit, business card and social profile that make venues take you seriously
  • A working knowledge of PA gear, microphones and cables - no more guessing
  • A run sheet and problem-solving instincts for gig day, whatever goes wrong
  • A completed showcase performance, a certificate, and a plan for your next 3 gigs

★ How The 12 Weeks Flow

Each week builds on the last - mindset and industry knowledge first, then your music, then your business, then your stagecraft, then putting it all together live.

Weeks 1–3 - Foundations

Industry mindset, building set lists that work, growing your repertoire.

Weeks 4–7 - Your Business & Brand

Pricing, performance skills, rehearsal with accompaniment, brand and finding gigs.

Weeks 8–11 - Getting Gig-Ready

Getting booked, sound set-up, rehearsal and feedback, running the gig, handling the unexpected.

Week 12 - Showcase

A full mock paid performance, start to finish. This is where it all comes together.

★ Before You Start

  • Head to Personalise & Save My Course next and set up your name, colours and brand - it'll follow you through the whole course
  • Your Gigging Musician Vision Board is built together in Week 1 - come ready to think big
  • Fill in the workshop answer for every week as you go - your certificate unlocks once all 12 are complete
  • Keep the Gigging Essentials Handbook and Resources & Templates pages bookmarked - they're built to keep using long after Week 12
  • There's no such thing as a silly question - bring it to class

You don't need to be the most talented person in the room.

You need to be the easiest to book. Let's build that, one week at a time.

Start Here

Personalise Your Course

Enter your name and pick a brand style - it'll carry through your certificate, business card examples and press kit previews. Then save your own personalised copy to your computer at any point, with everything you've filled in.

Your Name

Brand Colour

Used to accent your business card and press kit previews below.

Font Style

Applied to your name on the certificate, business cards and press kit previews.

My Music Career

Fill this in to personalise your press kit, business card and social preview even further. All optional - add what applies to you.

The Basics

My Goals

What are you working towards? This carries into your certificate reflection and final week.

My Bio

A short 2–3 sentence bio - this feeds straight into your Press Kit preview.

Socials & Booking Details

Live Preview

[Your Name]
Solo Artist - Live Music
[phone] · [instagram] · [email]

💾 Save Your Course To Your Computer

This downloads a complete, working copy of this course - personalised with your name and style, plus anything you've already filled in - as a single file you can keep on your computer, reopen anytime, and keep working on. This is the most reliable way to save it (more reliable than your browser's own "Save Page As").

Preparing your personalised file…

Once downloaded, double-click the file anytime to reopen your course in Chrome (or any browser) - no internet needed to view and keep filling it in. An internet connection is only needed for the PDF export and certificate features.
Week 1

The Professional Musician Mindset & Industry Overview

2 Hours

Learning Objectives

  • Understand the different types of paid gigs available.
  • Know what separates hobby musicians from professional performers.
  • Set realistic income and performance goals.
  • Understand what venues actually expect when hiring entertainment.

Session Breakdown

Welcome & Icebreaker

15 min
  • Meet the group - musical background & performance experience
  • Course overview & individual goals
  • Open discussion: fears about gigging

The Gigging Industry

30 min
  • Cafés, restaurants, wineries, breweries
  • Weddings, engagement & birthday parties, corporate events
  • Shopping centres, markets, festivals, sporting clubs, RSL clubs
  • Hotels, pubs, aged care, schools, council events, cruise ships, holiday parks
  • For key venue types: typical audience, music style, set length, equipment, pay, dress code

What Venues Actually Want

20 min
  • Brainstorm: "What makes someone rebookable?"
  • Reliability, arriving early, looking professional
  • Reading the room, sound levels, packing up efficiently

The Professional Musician Mindset

20 min
  • Talent vs. professionalism
  • Being easy to work with, having solutions not excuses
  • Taking criticism, consistency
  • Why venues care whether customers stayed and enjoyed themselves - not competition wins
Workshop - My Gigging Vision

Dream venues, dream income, gigs per month, equipment goals, musical style.

Homework

  • Research 5 venues you'd love to play
  • Note each venue's current entertainment style
  • Note what kind of music they currently book

Related Resources

Your Gigging Musician Vision Board

Set your intentions right now, as a group. Tick what applies, fill in your numbers, and paint the picture of where you're headed. Revisit this anytime over the 12 weeks - your goals are allowed to evolve.

What Gig Types Do You Want?

My 12-Month Vision

Week 2

Building Incredible Set Lists

2 Hours

Learning Objectives

  • Build multiple professional sets.
  • Learn song placement.
  • Understand pacing and audience psychology.

Session Breakdown

Why Most Musicians Lose an Audience

Part 1
  • Examples of a great set list vs. a terrible set list

Understanding Audiences

Part 2
  • Morning café vs. Sunday winery vs. wedding vs. restaurant
  • Pub, corporate dinner, private function, Christmas, community festival

The Energy Curve

Part 3
  • Opening songs → middle songs → peak moments → wind down
  • Handling encores and requests

Song Categories

Part 4
  • Background, mid-energy, party, ballads
  • Crowd favourites, singalongs, closing songs

What Makes a Set List Create Atmosphere

An incredible set list isn't just a list of good songs - it's a deliberate emotional journey. The same 12 songs played in a different order can feel flat or feel unforgettable, because atmosphere comes from pacing, not just song choice.

Start low and welcoming: your first 2–3 songs should let people keep talking, settle in, and feel comfortable - not challenge them to pay attention. Build gradually: each block should lift the energy slightly, using tempo, familiarity, and volume to guide the room without announcing you're doing it. Peak with intention: your most energetic, most recognisable songs belong in the middle-to-late section, once the room is warmed up and full. Wind down with care: the last 15–20 minutes should ease people out gently - this is where you protect the venue's atmosphere for the next set of guests or the rest of their night.

The key skill is reading the room in real time and being willing to reorder on the fly - a printed set list is a plan, not a contract.

Good Set List vs Bad Set List

Here's the mistake almost every musician makes early on: stacking too many emotionally heavy, slow songs back to back, because each one is a genuine favourite or a great vocal showcase.

Example Of A 'Bad' Set List - Too Many Ballads In A Row
  • Someone Like You - Adele
  • Make You Feel My Love - Adele
  • Maybe This Time - Sienna Spiro
  • Skinny Love - Bon Iver
  • Landslide - Fleetwood Mac
  • Hallelujah - Jeff Buckley

None of these songs are bad. On their own, each one is beautiful and a genuine showcase of vocal control and emotion. The problem is stacking six slow, heavy ballads back to back - it steadily drains the energy out of a room, even when every single song is performed perfectly.

A gig is not a vocal showcase or a talent contest. Your job is to create atmosphere and entertainment for the room you're in, not to demonstrate range and emotional depth song after song. Venues rebook performers who read the room, not performers who deliver the most impressive vocal each time.

This doesn't mean cutting these songs from your repertoire. A slower ballad can absolutely still work in a set - change the tempo or feel, give it a different groove, or space it between higher-energy songs so it becomes a deliberate moment rather than the fourth slow song in a row.

🎧 Set List Pacing - Spotify Reference Playlist →
Workshop - Set List Builder

Draft 3 x 45-minute professional set lists, then swap with a classmate to critique.

Homework

  • Finish all three complete 45-minute sets

📎 Attachment - Example Annotated Set List - Winery Sunday Session

A full 45-minute set list marked up with the energy curve, showing exactly why each song sits where it does.

Week 3

Building Your Repertoire

2 Hours

Learning Objectives

  • Learn how professionals memorise hundreds of songs.
  • Know how many songs you actually need for each set length.
  • Learn efficient practice, key choice and backing track organisation.

Session Breakdown

How Many Songs Do You Need?

Part 1
  • 8–10 songs = a 30 min set
  • 10–14 songs = a 45 min set
  • 15–20 songs = a 1 hour set

Learning Efficiently

Part 2
  • Using lyric sheets professionally
  • Transposing and choosing suitable keys

Staying Organised

Part 3
  • Backing track organisation
  • Building genre/mood Spotify playlists for reference
Workshop - Repertoire Tracker

List the songs you already know solidly, and the 5 new songs you'll learn this week - including key and category.

Homework

  • Learn 5 new songs to performance-ready standard

📎 Attachment - The Gig Song Bank - 180+ Songs

A categorised master list (classics, current hits, wedding songs, background/chill, Aussie favourites and more) to help you choose your next songs to learn.

Build My Perfect Set List - Drag & Drop

Enter up to 15 songs from your repertoire, then drag them (or use the arrows) into your ideal set list order. On touch devices, use the arrow buttons.

Week 4

Finding Your Rate + Socials & Branding

2 Hours

Learning Objectives

  • Understand what to include in a quote - equipment or no equipment.
  • Learn what pay offerings make you appealing to book.
  • Start your socials and brand kit.

Session Breakdown

Setting Your Price

Part 1
  • Beginner vs. experienced rates
  • Travel, equipment hire, wedding packages, corporate pricing
  • Minimum fees, travel zones, cancellation fees, deposits
  • Payment methods, taxes, expenses
  • Keep promo recordings to 90 seconds max, one clip per song

Practical - Build Your Brand

Part 2
  • Start your socials or brand kit using Canva (see Brand & Canva Kit resource)
  • Use the rate card and Canva templates in the Resources section while you work
Workshop - Set Your Price (First Draft)

Using the Rate Card resource, write your own starting price list. You'll revisit and polish this in Week 9 once your repertoire and confidence have grown.

Homework

  • Draft your price list
  • Create at least one social media profile or Canva brand asset

📎 Attachment - Rate Card - Quick Reference

The beginner / intermediate / advanced pricing ranges by set length, for quick reference while you draft your price list below.

Related Resources

Week 5

Performance Skills

2 Hours

Learning Objectives

  • Own the stage with confidence and presence.
  • Learn what to say (and not say) between songs.
  • Handle nerves, mistakes and awkward silences professionally.

Session Breakdown

Stage Presence

Part 1
  • Reading audiences, facial expressions, smiling naturally
  • Movement, microphone technique, eye contact
  • Confidence and recovering from mistakes, handling nerves

Talking To Your Audience

Part 2
  • Why speaking matters, what to say / not say, how often to talk
  • Introducing songs, storytelling, humour, using names

Handling The Room

Part 3
  • Handling birthdays and wedding announcements
  • Crowd participation, taking requests, declining requests professionally
  • Managing awkward silence

Meeting: Confirm Set List For Showcase Gig

With Facilitators
  • Confirm your 6–8 song showcase set list for the final performance

What To Say Between Songs

Talking to your audience is a skill in itself. A few well-placed words between songs can lift a room's energy just as much as the songs themselves - here's a starting point for each situation.

Introducing A Song
  • "This next one's a bit of a favourite of mine..."
  • "You might know this one - feel free to sing along if you do..."
  • "This is a newer one I've been loving lately, hope you enjoy it too..."
Crowd Engagement
  • "How's everyone doing tonight?"
  • "Anyone celebrating something special this evening?"
  • "You've been a great crowd, thank you for listening..."
Thanking The Venue
  • "Big thanks to [venue name] for having me tonight..."
  • "Make sure you check out [venue]'s food/drinks menu, it's fantastic..."
  • "Really appreciate [venue] for supporting live music..."
Mentioning Upcoming Gigs
  • "I'll be back here on [date] if you'd like to catch me again..."
  • "You can find where I'm playing next on my Instagram, [handle]..."
  • "I've got a few gigs coming up around [area] - come say hi..."

For performance breaks, keep a background playlist ready in a similar style to your own set (soul, acoustic, chill covers) so the atmosphere doesn't drop when you step off stage.

🔗 Gig Guide Set List Inspiration: Link coming soon - to be added by The Vocal Academy.
Workshop - Practise Speaking Exercise

Write a 15-second introduction for 3 songs in your set - as if talking to a real audience.

Homework

  • Practise your song introductions out loud, 3 times each
  • Film yourself performing 1 song for self-review
Week 6

Rehearsing With Accompaniment

Whole Session

Learning Objectives

  • Understand how to work effectively with a live accompanist.
  • Perform full songs confidently alongside backing tracks or a live accompanist.
  • Learn to adjust timing, dynamics and cues in a supported, low-pressure setting.

Session Breakdown

Working With An Accompanist

20 min
  • Communication before you play: agreeing on keys, tempo and tricky sections
  • Eye contact and visual cues to stay in sync throughout the song
  • Counting in with confidence - a clear count sets up the whole song
  • Agreeing on endings in advance: held note, clean cut-off, or ritardando
  • Treating your accompanist as a teammate, not background support

Accompanied Performance Practice

Whole session
  • Perform your confirmed showcase songs with accompaniment
  • Practise following tempo and dynamic cues without losing your place
  • Receive live feedback from facilitators and peers

Troubleshooting Together

Whole session
  • What to do if the backing track and your timing drift apart
  • Recovering smoothly without stopping the song

Working With An Accompanist

If you're performing with a live accompanist rather than a backing track, the relationship is a two-way conversation, not a fixed track you sing over. Good communication before you even start playing - agreeing on keys, tempos, and any tricky sections in advance - saves you from surprises mid-song.

Eye contact and visual cues do a huge amount of the work live. A glance can signal 'I'm ready', a nod can mark the start of a chorus, and a raised eyebrow can warn your accompanist you're about to try something different. Get comfortable making and holding eye contact, especially in the moments right before you both start.

Counting in matters more than it seems: a clear, confident count sets the tempo for the whole song before a single note is played. A vague or rushed count-in is one of the most common reasons a song starts shaky.

Endings need just as much agreement as beginnings - decide in advance whether you're ending on a held note, a clean cut-off, or a ritardando, and rehearse it the same way every time so it feels intentional rather than accidental.

Above all, treat your accompanist as a teammate, not background support. Communicate clearly, thank them, and remember a great performance is built together - not carried by one person while the other just keeps up.

Workshop - Accompaniment Rehearsal Log

After rehearsing, note what felt solid and what still needs work before the showcase.

Homework

  • Practise your showcase set with accompaniment at least 3 times this week
Week 7

Building Your Brand & Finding Gigs

2 Hours

Learning Objectives

  • Learn how to actively research and find venues.
  • Build your Electronic Press Kit (EPK) and capture the recordings it needs.
  • Understand the tools of a professional brand: photography, logos, business cards, QR codes.

Session Breakdown

Finding Gigs

Part 1
  • Researching venues, using Instagram, Facebook, TikTok and Google
  • Reaching out directly vs. through agencies

Professional Brand Tools

Part 2
  • Professional photography, logos, brand colours, websites
  • Electronic Press Kit, business cards, QR codes
  • Testimonials and promo videos

Capture Your Promo Clips

Part 3
  • Record short (under 90 second) clips for your EPK and socials
  • Choose your strongest take as a group, with feedback
Workshop - Build Your EPK

Draft the key sections of your Electronic Press Kit together as a group.

Homework

  • Finalise your EPK draft using the Canva EPK template
  • Choose your best promo clip and save it for your EPK

📎 Attachment - Press Kit Examples

Three EPK layouts (solo, duo/band, wedding-focused) to model yours on.

📎 Attachment - Business Card Examples

Three business card layouts in the course brand - see the expanded Business Card guide for design tips and printers.

Related Resources

Week 8

Getting Booked & Sound Set-Up

2 Hours

Learning Objectives

  • Understand negotiation, contracts, invoices and insurance basics.
  • Know how to set up a professional, reliable sound system.

Session Breakdown

The Business Side

Part 1
  • Negotiation and handling rejection
  • Deposits, contracts, invoices
  • Public liability insurance, ABN basics

Sound Set-Up

Part 2
  • Recommended speaker, mic and positioning (see Gig Setup Guide resource)
  • Gain staging and avoiding feedback (see Gigging Essentials Handbook)
Workshop - Contract & Invoice Draft

Using tonight's session, draft a simple performance agreement and invoice you could send a venue.

Homework

  • Research public liability insurance and ABN registration options
  • Set up your gear at home using the Set-Up Checklist

📎 Attachment - Gig Set-Up Examples

Floor-plan diagrams for solo café and duo wedding ceremony layouts.

Related Resources

Week 9

Rehearsals, Feedback & Audience Work

2 Hours

Learning Objectives

  • Rehearse showcase material with structured feedback.
  • Practise reading and adapting to a live audience.
  • Turn your Week 4 price list into a polished, sendable pricing guide.

Session Breakdown

Rehearsal Rounds

Part 1
  • Perform showcase songs in small groups
  • Structured peer + facilitator feedback

Reading The Room, Live

Part 2
  • Spotting energy drops before you lose the room
  • Adjusting song choice and pacing on the fly, using your Week 2 energy curve

Refining Your Pricing

Part 3
  • Revisit your Week 4 price list now that your repertoire and confidence have grown
  • Turn it into a clean, professional one-pager you're proud to send
Workshop - Finalise Your Pricing Guide

Build a polished, one-page pricing guide you can send to venues or clients - refined from your Week 4 draft.

Homework

  • Finalise your personalised pricing guide
Week 10

Running The Perfect Gig

2 Hours

Learning Objectives

  • Understand every stage of gig-day logistics, start to finish.
  • Prepare for common on-the-night problems.

Session Breakdown

Gig-Day Logistics

Part 1
  • Packing, arrival, set-up, soundcheck
  • Working with venue staff, break music, food & drinks, break timing
  • Pack-down and professional etiquette

Problem-Solving

Part 2
  • Common mistakes to avoid
  • Emergency backup plans

Turning A Gig Into A Regular Booking

Part 3
  • Following up after a gig, asking for the next date
  • What makes venues rebook you over someone else
Workshop - Gig-Day Run Sheet

Build your own run sheet for a 3-hour paid gig.

Homework

  • Bring your run sheet to Week 11 rehearsals

📎 Attachment - Gig Attire Guide

What to wear on stage by occasion - part of arriving gig-day ready is looking as professional as you sound.

Related Resources

Week 11

Handling The Unexpected - Role Play

2 Hours

Learning Objectives

  • Practise handling difficult real-world gig scenarios.
  • Build confidence responding under pressure.

Session Breakdown

Role Play Rotation

Full session
  • Venue owner, bride, drunk guest, difficult request
  • Equipment failure, power outage, rain, late start
  • Tiny audience, huge audience, voice problems, running overtime
  • Students rotate through each scenario
Workshop - Scenario Reflection

After each role play, note what worked and what you'd do differently.

Homework

  • Finalise your showcase set list and run sheet for Week 12
Week 12

Showcase - Final Performance

Full Session

Learning Objectives

  • Complete a full mock paid performance from set-up to pack-down.
  • Demonstrate stage presence, talking between songs, and independent sound adjustment.

Session Breakdown

Showcase Performance

Full session
  • Each student performs 2 songs from their set
  • Talking between songs, own set-up, adjusting sound independently
  • Group feedback and celebration
Workshop - Final Reflection

Look back across the whole course.

Homework

  • Send your post-gig thank you email to any real venue you perform for next (see Email Templates)

Related Resources

Resource

Finding Your Rate

Starting-point ranges for solo/duo performers in Melbourne, 2026. Every gig is different - use these as a base, then adjust for travel, equipment, and demand.

These are guide ranges based on typical Melbourne market rates, not fixed prices. Beginner figures are performance-only starting points ($60 per half hour / $120 per hour) - travel and equipment are not included and should be quoted as extras on top. Always factor in your travel time, gear, prep, and the client's budget.

Find Your Quote - Pricing Discovery Questionnaire

Answer a few quick questions about your experience and the gig, and we'll suggest a starting price range.

Solo / Duo Performer - Café, Restaurant, Bar

Set lengthBeginnerIntermediateAdvanced / In-demand
2 x 30 min setsFrom $120$220–$320$320–$450+
2 x 45 min setsFrom $180$260–$380$380–$550+
3 x 45 min setsFrom $270$320–$450$450–$650+
2–3 hour continuous (background)From $240$350–$500$500–$750+

Beginner starting point: $60 per half hour / $120 per hour, performance only - travel and equipment are quoted as extras on top (see note below).

Weddings & Private Functions

PackageBeginnerIntermediateAdvanced / In-demand
Ceremony only (30–45 min)$250–$350$350–$500$500–$700+
Ceremony + canapés (2–3 hrs)$450–$650$650–$900$900–$1,300+
Full day (ceremony to reception, 5–6 hrs)$800–$1,100$1,100–$1,600$1,600–$2,500+
Birthday / engagement (2–3 hrs)$350–$500$500–$750$750–$1,100+

Corporate & Festivals

Booking typeBeginnerIntermediateAdvanced / In-demand
Corporate function (1–2 hrs, background)$350–$500$500–$750$750–$1,200+
Festival / market stage slot (30–45 min)$150–$250$250–$400$400–$700+
Council / community event (1–2 hrs)$200–$350$350–$550$550–$850+

What Changes Your Rate

  • Do you bring your own PA and mics, or does the venue supply them?
  • How far is the travel, and is there parking or loading-in difficulty?
  • Weekend / peak season vs. quiet weekday
  • Is it a public holiday (loadings often apply)?
  • How many musicians (solo vs duo vs band)?
  • Repeat client / regular residency discount vs one-off
Workshop - Build Your Price List

Using the ranges above, set your own starting rates.

Resource

Venue Outreach Email Templates

Edit these directly in the boxes below - fill in your name, links, and details, then copy into your email client.

Resource

Melbourne & Mornington Peninsula Venue Directory

A real starting list of venues that book live music across Melbourne and the Mornington Peninsula, grouped by gig type and region - for Week 1 venue research and ongoing outreach.

Details below were gathered from venue websites in 2026 and are a starting point, not a guarantee of current bookers or availability - contact details, booking managers, and music policies change. Always double-check the venue's own website or social page before reaching out, and personalise every enquiry.

Cafés, Restaurants & Bars

Acoustic Cafe (Collingwood)
398 Smith St, Collingwood
Function enquiries via acousticcafe.com.au - geared for live music, integrated PA
arcobar
Bay Rd, Cheltenham area (Kingston)
Phone (03) 9551 1424 - regular live music dinner & show nights, bookings via arcobar.com.au
Northcote Social Club
301 High St, Northcote
bar@northcotesocialclub.com - established inner-north live music venue & bar
P.J. O'Brien's Southbank
Southbank
Enquiries via pjobriens.com.au/melbourne - live music Tue–Sun, duos & bands
The Workers Club, Fitzroy
Brunswick St, Fitzroy
Phone (03) 9415 6558 · manager@theworkersclub.com.au

Wineries & Breweries (Yarra Valley)

Fergusson Winery
Yarra Glen
Enquiries via fergussonwinery.com.au contact page - regular "Live Music Sundays" program, bookings recommended
Yarrawood Estate
Yarra Glen
Enquiries via yarrawood.com.au - weekend live music sessions on the lawn/deck
Rochford Wines
Coldstream
Enquiries via rochfordwines.com.au/live-music - larger scale live music events & concerts
Payne's Rise Winery
Yarra Valley (Seville/Wandin area)
Enquiries via visityarravalley.com.au listing - Sunday live music sessions
Oakridge Wines
Coldstream
Enquiries via oakridgewines.com.au - cellar door & restaurant functions

Weddings, Engagements & Private Functions

Melbourne Entertainment Company
Melbourne-wide agency
Booking form via melbourneentertainmentco.com.au - books acoustic soloists/duos for weddings
WBC Entertainment (Melbourne Entertainment Agency)
Melbourne-wide, incl. Yarra Valley & Mornington Peninsula
Enquiry form via wbcentertainment.com.au
Unplugged Entertainment
Melbourne-wide agency
Enquiry via unpluggedentertainment.com.au - corporate & wedding acoustic/duo/DJ bookings
Acoustic Cafe (Collingwood) - private function hire
Collingwood
Whole-venue functions for up to 90 guests, via acousticcafe.com.au
Fergusson Winery - wedding venue
Yarra Glen
One of the Yarra Valley's well-known wedding venues - enquire via fergussonwinery.com.au

Pubs & Hotels

The Workers Club, Fitzroy
Brunswick St, Fitzroy
Phone (03) 9415 6558 · manager@theworkersclub.com.au
St Andrews Hotel
St Andrews, Nillumbik
Enquiries via thestandrewshotel.com.au - regular live band nights, cosy country pub
Northcote Social Club
301 High St, Northcote
bar@northcotesocialclub.com
P.J. O'Brien's Southbank
Southbank
Enquiries via pjobriens.com.au - Irish acoustic duos & party bands
The Espy (Esplanade Hotel)
St Kilda
Enquiries via theespy.com.au - iconic multi-room St Kilda live music venue

RSL & Community Clubs

Oakleigh Carnegie RSL (Oakleigh Music Hall)
Oakleigh
Phone 0487 958 338 (Dragana) - live music nights, bistro bookings via ocrsl.com.au
Healesville RSL
Healesville, Yarra Valley
Enquiries via venue's Facebook/website - community-focused club, functions welcome
Pubs Melbourne - RSL Clubs Directory
Melbourne-wide
Directory of RSL/club entertainment bookings at pubsmelbourne.com/entertainment/rsl-clubs

Corporate, Markets & Festivals

Melbourne Entertainment Company (Corporate)
Melbourne-wide agency
melbourneentertainmentco.com.au - corporate event bands, DJs, acoustic acts
WBC Entertainment (Corporate)
Melbourne-wide agency
wbcentertainment.com.au - corporate activations, string quartets, jazz combos
Yarra Valley Grape Grazing Festival
Yarra Valley, annual
Enquire via yarravalleypoint.com.au/events - multi-venue food, wine & live music festival
Lilydale & Yarra Valley Show
Lilydale Showgrounds
Enquire via show organiser listing - community show with live entertainment
Local council event calendars
Your local council (search "[council name] events")
Most Melbourne councils run a community events calendar - contact their events team directly for busker/performer opportunities

Mornington Peninsula - Cafés, Restaurants & Bars

Soundbar, Rosebud
Point Nepean Rd, Rosebud
Gastro pub with regular live music - enquire in person or via venue Facebook page
McDaid's Irish Pub
Rosebud
Traditional Irish live music pub - enquire via venue website/Facebook
Swordfish Wine Bar
Mornington
Bookings via swordfishwinebar.com.au/reservations - live music every weekend, solo to 5-piece bands
Village Café Flinders & Wine Bar
Flinders
Enquire via venue Facebook/Instagram - café live music, seaside village setting
Casa de Playa
Mornington
Mediterranean restaurant - enquire via venue website for live music nights

Mornington Peninsula - Wineries

Hickinbotham of Dromana
Dromana
Bookings via hickinbotham.biz - live music most weekends, family-run winery & brewery
Pt. Leo Estate
3649 Frankston-Flinders Rd, Merricks
Enquire via ptleoestate.com.au - winery, sculpture park & dining with events
Trofeo Estate
Harrisons Rd, Dromana
Enquire via trofeoestate.com - winery restaurant, functions & events
Paradigm Hill
Merricks
Enquire via paradigmhill.com.au - boutique cellar door, live music events
Crittenden Estate
Harrisons Rd, Dromana
Enquire via crittendenwines.com.au - cellar door, restaurant & functions

Mornington Peninsula - Weddings & Function Venues

Pt. Leo Estate
Merricks
Enquire via ptleoestate.com.au - premium wedding & event venue
Jackalope Hotel & Winery
Merricks North
Enquire via jackalopehotels.com - luxury wedding & event venue with working winery
Trofeo Estate
Dromana
Enquire via trofeoestate.com - function & wedding packages
Dromana Estate
Dromana
Enquire via venue website - homestead-style wedding & function venue
Portsea Estate
Portsea
Enquire via portseaestate.com.au - coastal wedding venue overlooking Bass Strait

Mornington Peninsula - Pubs, RSL & Live Music

Rye RSL Club
Rye
Enquire via ryersl.com.au - Modern Australian dining, community club entertainment
The Rosebud Hotel
Rosebud
Enquire via venue website - bistro with regular live entertainment
The Somerville Hotel
Somerville
Enquire via venue website/Facebook - pub-style live music dining
The Dava Hotel
Mount Martha
Enquire via venue website - Australian pub food & entertainment
JimmyRum Distillery - Sunday Session
Mornington Peninsula
Live music every Sunday from 2:30pm - listed via mornpen.vic.gov.au events calendar
Resource

Brand & Canva Starter Kit

Week 4's practical task - start your own performer brand kit. Use this palette as a starting point, or build your own around your genre.

Your Brand

Set on the Personalise & Save My Course page - the Canva searches and previews below update automatically to match.

[Your Name]
Poppins

Suggested Starter Palette

#0A0A0A
#4A4A4A
#8F8F8F
#E6E6E6
#FFFFFF
Your Colour

Headings: Poppins Bold. Body text: Poppins Medium. Icon: a bold black or white star - use it as a bullet, a stamp on photos, or a logo mark.

Canva Templates To Search & Customise

Canva templates can't be auto-generated here, but these are the exact searches to run inside Canva, personalised to your name, colour and font choice above.

"Musician EPK" or "Electronic Press Kit"
Photo, bio, socials, sound clips, contact - your one-page pitch to venues.
Open Canva
"Gig Poster" / "Live Music Event Flyer"
For promoting a specific date - venue, time, your name, socials.
Open Canva
"Instagram Highlight Covers"
Icon set for Gigs, Videos, Reviews, Booking on your profile.
Open Canva
"Business Card"
Name, style, QR code to your Instagram or booking form.
Open Canva
"Invoice Template"
Simple, clean invoice for after the gig - match your brand.
Open Canva
Brainstorm - Your Brand
Discover

Which Performer Are You?

Answer 5 quick questions to find your natural gig style - and the venues, audiences and set lengths that suit it best.

1. What excites you most about performing?

A deep, intimate connection with a small room
Getting a whole crowd up and singing along
Creating a beautiful atmosphere people don't even realise is 'the entertainment'
Just me, honest, raw, and the song
Wrap-Up

Course Complete

You've made it to the end of Gig Ready - congratulations! Tell us how we did, then send it through.

Rate The Course

Tap a star to rate your experience

Your Full Name

Your Written Review

We'd Honestly Love a Video Testimonial 🎥

Even 10 seconds means a lot to us - just a quick word about your experience in the course. Totally optional, but it genuinely helps other future students. Send it two ways:

  • Record it below and attach the download to your completion email, or
  • Send it straight to our Instagram DMs: @thevocalacademy_ (if that link doesn't open your app, search @thevocalacademy_ on Instagram and send it as a DM)
Recording… 0:00

Camera not started yet.

Camera/mic access depends on your browser giving permission, and may not work inside every preview window. If recording isn't available here, record a quick clip on your phone and DM it to us on Instagram instead.

🎓 Congratulations - Generate Your Certificate

Your certificate unlocks once all 12 weeks are complete. Enter your name above, then generate your certificate.

✉️ Step 1 - Send Your Completed Course to Us

Click below to open an email to The Vocal Academy with your name, star rating and review pre-filled. Attach the PDF you save in the step below (and your testimonial video, if you have one) before hitting send - this part still needs your own email app, since browsers aren't allowed to send emails or attach files on their own for privacy and security reasons. Your completed course details go to info.thevocalacademy@gmail.com.

If clicking doesn't open your email app, your device may not have one set up as default - you can also just email info.thevocalacademy@gmail.com directly, attaching the PDF you saved, with your name, rating and review.

💾 Step 2 - Save Your Course as a PDF

This saves one PDF to your own device - styled to match the course's black & white branding, with your certificate as the cover page (once all 12 weeks are complete), containing everything you filled in across all 12 weeks. This is yours to keep, print, or attach anywhere you like.

Resource

A Professional Gig Set-Up

What a rebookable, professional solo/duo set-up looks like - use this as your visual reference for Week 8 and Week 10.

Café / Restaurant Set-Up

Compact single-speaker PA tucked in a corner, mic stand angled toward the performer, minimal footprint so tables and walkways stay clear.

Solo musician live set-up in a café/restaurant

Wedding Ceremony Set-Up

Two speakers spread either side of the arch/aisle, performer(s) positioned just behind the spread, cables run along the grass edge and taped where guests walk.

Solo musician set-up at an outdoor wedding
These are real photo references for your own set-ups - once you start gigging, swap in more of your own photos here for your portfolio.

Set-Up Checklist

  • Compact PA (2 speakers or 1 powered speaker + sub) positioned to avoid feedback
  • Mixer or multi-effects unit tucked neatly - no cable spaghetti visible
  • Mic stand at correct height, boom angled slightly down
  • Backing track device (phone/laptop) fully charged + backup battery
  • Cables taped down across any walkway
  • Tip jar / QR code / merch small and tidy, not blocking the bar
  • Dressed appropriately for the venue and occasion
  • Water bottle, spare strings/leads, tuner within reach
Attachment

Press Kit (EPK) Examples

Three example layouts venues actually receive. Click a card to open the full example.

1. One-Page Solo Performer EPK

Photo, one-line bio, style tags, sample links and contact - built for a first cold email.

2. Duo / Band EPK

Wide hero photo, member photos, instrumentation, set-length options and past-venue list.

3. Wedding-Focused EPK

Ceremony/reception packages, testimonials, and a "must-play or no-go list" section.

Handbook

Gigging Essentials Handbook

The things every working musician needs to know, in one place. This page is built to keep using well after Week 12 - bookmark it.

PA & Sound Basics

You don't need to be an audio engineer, but you do need to know this much:

  • Gain staging: set your input gain first (on the mixer or speaker), then bring up the master volume - this avoids distortion and keeps your headroom before feedback
  • Feedback prevention: keep the microphone out of the direct line of the speaker, never point a speaker at a mic, and lower gain gradually if you hear a ring building
  • Speaker placement: angle speakers across the room rather than straight at your own mic, and raise them on a stand where possible - sound travels better above head height
  • EQ basics: cut before you boost. If something sounds harsh, try reducing that frequency rather than boosting everything else
  • Sound checking: always arrive early enough to test at performance volume, not just talking volume
PA speaker and stand set up

Microphones 101

  • Dynamic mics (e.g. Shure SM58, Beta 58A): tough, forgiving of loud volumes and handling noise - the standard choice for live vocals
  • Condenser mics (e.g. Shure Beta 87A): more sensitive and detailed, better for quieter, controlled settings, but pick up more background noise
  • Mic technique: work close to the mic (2–5cm) for warmth and volume, pull back slightly on loud notes to avoid distortion
  • Polar patterns: most vocal mics are cardioid - they reject sound from the rear, which helps prevent feedback if you position speakers behind you
  • Phantom power: condenser mics need 48V phantom power from your mixer or interface to work - dynamic mics don't need it

Cables & Signal Chain

  • XLR cables: balanced, 3-pin, used for microphones and connecting professional audio gear - your most-used cable
  • TS / TRS (jack) cables: TS ("instrument") cables are unbalanced and used for guitars/keyboards over short distances; TRS cables are balanced and used for line-level or stereo signals
  • DI (Direct Injection) box: converts an unbalanced instrument signal (like acoustic guitar) into a balanced XLR signal, so it can travel further without noise and plug straight into a PA
  • Balanced vs unbalanced: balanced cables (XLR, TRS) reject interference over long runs; unbalanced (TS) cables should be kept short
  • Cable care: always coil over-under (not around your elbow), keep leads off wet ground, and label your own cables - gear grows legs at share-house gigs

Professionalism On The Job

  • Arrive at least 30–45 minutes before your set to load in, set up and soundcheck without rushing
  • Confirm gig details (time, address, parking, power access) the day before - don't rely on a text from three weeks ago
  • Dress for the venue and occasion (see the Gig Attire Guide)
  • Keep breaks tight and stick to agreed timing - venues run their whole night around your set
  • Always have a backup plan: spare cables, a charged phone, a second playlist if backing tracks fail
  • If something goes wrong, stay calm and solutions-focused - how you handle a problem is what gets remembered, not the problem itself

Networking & Building Relationships

  • Introduce yourself to venue staff and management every time, not just the person who booked you
  • Get to know other musicians on the circuit - most gig referrals come from other performers turning down dates, not cold outreach
  • Follow venues, other musicians and local event pages on social media, and genuinely engage - comment, share, turn up to their gigs
  • Carry business cards everywhere, not just to gigs - you never know who's planning a wedding or corporate event
  • Say yes to smaller or lower-paid opportunities early on if they put you in front of the right audience - visibility compounds

Turning One-Off Gigs Into Repeat Bookings

  • Send a short thank-you message within a day or two of the gig (see Email Templates)
  • Ask directly: "Would you like me to hold a regular date?" - venues rarely offer this unprompted
  • Read the room and adjust - a venue that rebooks you is telling you what worked; do more of it
  • Be the easiest performer they deal with: on time, no drama, sorts their own problems - this alone puts you ahead of most competitors
  • Check in periodically even when you don't have a gig booked, so you stay top of mind for their next event

Getting Paid - Invoicing & Chasing Payment

  • Send your invoice promptly - within 24–48 hours of the gig, while it's fresh for both of you
  • Include: your name/business name, ABN (if you have one), gig date, fee, payment method and due date
  • For bigger gigs (weddings, corporate), ask for a deposit to secure the date, with the balance due on or before the day
  • If a payment is late, send a polite, direct follow-up - most late payments are oversight, not refusal
  • Keep simple records of every gig, fee and payment date - it makes tax time and future pricing decisions much easier

See the Rate Cards page for pricing guidance and the Email Templates page for invoice and follow-up wording.

Your Gig Bag Checklist

  • Microphone + backup mic clip/windscreen
  • XLR cables (bring a spare) + instrument cable + power leads
  • DI box (if using acoustic guitar or other instrument)
  • Mic stand + spare batteries or charger
  • Backing track device, fully charged, plus backup battery pack
  • Tuner, spare strings/reeds/sticks (whatever your instrument needs)
  • Set list, lyric sheet or tablet with your repertoire
  • Business cards, QR code sign or tip jar
  • Water bottle and a change of shirt for load-out
  • Gaffer/electrical tape for taping down cables
Attachment

Equipment Recommendations

Two things you actually need to get started, at three budget levels - approx. prices in AUD, 2026. Everything else is optional and can wait.

Tier 1 - Starting Out (approx. $250–$400)

PA / Speaker
Single battery/powered speaker with built-in mixer - e.g. Behringer Europort MPA40BT or Alto TS110
Microphone
Budget dynamic vocal mic - e.g. Behringer XM8500, or a Shure SM58 if you can stretch the budget (it will outlast every other piece of gear you own)
Best for
20–40 person cafés, small acoustic sets, first paid gigs

Tier 3 - Professional / High-End (approx. $2,200+)

PA / Speaker
Bose L1 Pro8 or L1 Pro16 portable line array system, or two Bose S1 Pro units stacked/paired
Microphone
Shure Beta 87A (condenser handheld) or a Shure wireless system (ULXD/QLXD) for freedom of movement
Best for
Weddings 150+ guests, corporate events, festival stage slots, full bands

Optional Add-Ons (When You're Ready)

You don't need any of these to start gigging - add them one at a time as your bookings grow.

  • Mic stand + XLR/instrument cables (grab these early, they're cheap)
  • DI box - only needed if you're plugging in an acoustic guitar or other instrument
  • Second speaker for stereo sound or as a monitor
  • Small mixer for more control over multiple inputs
  • Wireless mic system for moving freely around a room
  • In-ear monitoring for bigger or louder stages
Prices move around and models get updated - always check current pricing before buying. The Bose S1 Pro + Shure Beta 58A pairing is our course-recommended starting rig because it's light enough to carry solo, doubles as your own monitor, and covers almost every gig type in Weeks 1–12.
Attachment

Business Card Guide

Three example layouts in the course's black/white/grey brand, plus design tips and where to get them printed in Australia.

Style A - Bold Centered

Black card, white star, name centered. Simple and memorable in a stack of cards.

Style B - Minimal White

White card, black border, star top-left, name and contact right-aligned.

Style C - Photo Card

Performance photo on one side, name and contact on the other - good if you have strong photos.

Design Tips - What Makes A Card Actually Get Used

  • Legibility first: a bold, clean font at a readable size beats a clever font nobody can read across a bar
  • Only essential information: name, what you do, phone or email, and one link (Instagram or website) - a crowded card gets glanced at, not read
  • Add a QR code: link it straight to your Instagram, EPK or booking form so a venue can act in one scan
  • Consistent branding: match the fonts and colours you set on the Personalise page - this is what makes you look established, not amateur
  • Card stock & finish: a thicker card (350gsm+) feels more premium in hand; matte finish looks modern, gloss shows fingerprints
  • Standard size: 85mm x 55mm is the Australian standard - anything unusual may not fit in a wallet or card holder, which means it gets thrown out
  • Double-sided: use the back for a QR code or a second contact method rather than leaving it blank

Where To Print - Australian Providers

Officeworks
Print in-store or online, ready same-day at many locations. Great if you want to see and feel the stock before ordering, or need cards fast before a gig.
Officeworks
Vistaprint
Huge range of templates, finishes and paper stocks, ships Australia-wide. Regular sales make premium finishes affordable - good for a bulk first order.
Vistaprint

Design your card in Canva (see the Brand & Canva Kit page), export as a print-ready PDF, then upload it directly to either printer - most accept custom uploads alongside their own templates.

Attachment

Social Media Profile Examples

Two example performer profiles - the layout, bio structure, and highlight categories are what matter, not who's in the photo. Use either as a starting template regardless of your own style or gender.

@jordan.sings
142Posts
3,204Followers
310Following
🎤 Live acoustic music · Melbourne
Solo & duo · Weddings, cafés, private events
📩 Bookings: jordan@email.com
👇 Watch a clip
🎸
Gigs
🎥
Videos
Reviews
📅
Booking

Example 1 - "Jordan"

@mia.acoustic
287Posts
5,890Followers
412Following
🎶 Soul & acoustic pop covers
Available for weddings + corporate
📍 Melbourne & Mornington Peninsula
📩 Enquiries: mia@email.com
💍
Weddings
🎥
Live Clips
Reviews
💌
Contact

Example 2 - "Mia"

What To Include In Every Bio

  • What you do in one line (genre + solo/duo/band)
  • Where you're based / willing to travel
  • What kind of gigs you're available for
  • A direct way to contact or book you (email is more professional than "DM me")
  • A link or arrow pointing to your best video proof

Highlight categories to keep at the top of your profile: Gigs / Live Clips, Reviews or Testimonials, Booking or Contact, and anything specific to your niche (Weddings, Corporate, Originals).

Brainstorm - My Profile
Attachment

Gig Set-Up Examples

Real photo references for how to lay out your equipment safely and professionally. Click to see full detail.

Solo performer café/restaurant set-up

Solo Performer - Café/Restaurant Layout

Real set-up photo for a small room, corner placement.

Solo/duo wedding ceremony set-up

Duo - Wedding Ceremony Layout

Real set-up photo for an outdoor ceremony, with/without power.

Attachment

Gig Attire Guide

What to wear by occasion. Click each card for a larger example and what to avoid.

Wedding

All-black formal - tailored shirt/blouse, dress trousers or gown, polished shoes.

Corporate Event

Business smart - dark trousers/skirt, collared shirt or blazer, no jeans or sneakers.

Café / Restaurant

Smart casual - neutral tones, comfortable and tidy, nothing baggy or distracting.

Pub / Bar

Casual - band tee or plain top, jeans, boots. Reflect your act's personality.

Festival / Outdoor Market

Practical casual - weather-appropriate layers, closed comfortable shoes, sun protection.